The Swiss artist Franz Gertsch became internationally known in the 1970s with his colourful, photo-realist paintings of friends from the Berne scene and with portraits of his family.
Over time, he developed, in these pictures, a degree of closeness to reality that could hardly be increased any further and from which he was eventually trying to disengage himself.
By the mid-1980s he began to turn his attention to woodcutting, developing a new technique, where he would carve innumerable small holes into the wood, which would remain visible as bright dots on the paper in the printing process, whereas only the unimpaired surfaces of the wood reflect the impression of the printers ink. In this way he succeeded in obtaining previously unimaginable forms of expression from the traditional wood-cutting technique. Despite his continued use of photographic templates he was now able to project a more distanced and more abstract projection of reality.