PHOTOGRAPHY AND THE INVISIBLE
The exhibition explores the use of photography in 19th-century science, and focuses on images of phenomena unseen by the naked eye.
Modern science and photography both flowered in the first half of the 19th century. Photography was adopted as a scientific tool from the moment of its invention in 1839. As the century progressed, scientists used the microscope, the telescope and X-rays to capture images of previously hidden realms both infinitesimally small and unimaginably large. Through photography they analysed motion, peered into distant galaxies, and penetrated the human body.
Photography and the Invisible assembles 200 photographs and photographically illustrated books, most of which have never before been shown in Austria.
Highlights of the exhibition include some of the earliest microscopic daguerreotypes; photographs by Henry Fox Talbot and
Auguste-Adolphe Bertsch; Jules Janssen’s chronograph of the transit of Venus in 1874 (on a circular daguerreotype plate);
motion studies by Eadweard Muybridge and Étienne-Jules Marey; early X-ray photographs by Josef Maria Eder and Eduard Valenta;
spirit photographs by Louis Darget; and photographs made using a process of colour photography based on interference that
was developed by the physicist Gabriel Lippmann, who received a Nobel Prize for its invention.
The exhibition was organised by the San Francisco Museum of Modern Art (SFMOMA), with the generous support of the George
Frederick Jewett Foundation. It will be shown at the Albertina, supplemented with works from the Albertina’s Photographic
Collection.
An exhibition catalogue, Fotografie und das Unsichtbare 1840-1900 (Photography and the Invisible, 1840-1900), with essays by Corey Keller, Tom Gunning, Jennifer Tucker and Maren Gröning, will be available in English and German. The
beautifully reproduced plates are divided into six sections, each with a text describing important innovators of the period
and the methods they used to produce their images.
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