PAST EVENTS

 

Check out past exhibitions and events by reading up on old press releases. These can be downloaded, but without pictures. Should you need any, please contact our staff at the Press and Public Relations Department.

 

WILLIAM KENTRIDGE

FIVE THEMES

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William Kentridge
Self-Portrait [Testing the Library], 1998


Sammlung von Brenda Potter und Michael Sandler © 2008 William Kentridge. Foto mit freundlicher Genehmigung der Marian Goodman Gallery, New York
 
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William Kentridge
"Invisible Mending" (still), from "7 Fragments for Georges Méliès", 2003

35mm and 16mm animated film transferred to video, 1:20 min



Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg; © 2010 William Kentridge; photo: John Hodgkiss, courtesy the artist
 
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William Kentridge
"Invisible Mending" (still), from "7 Fragments for Georges Méliès", 2003

35mm and 16mm animated film transferred to video, 1:20 min



Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg; © 2010 William Kentridge; photo: John Hodgkiss, courtesy the artist
 
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William Kentridge
"Invisible Mending" (still), from "7 Fragments for Georges Méliès", 2003

35mm and 16mm animated film transferred to video, 1:20 min



Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg; © 2010 William Kentridge; photo: John Hodgkiss, courtesy the artist
 
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William Kentridge
Drawing for the film "Sobriety, Obesity & Growing Old [Soho and Mrs. Eckstein in Pool]", 1991

Charcoal and pastel on paper



Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg; © 2010 William Kentridge; photo: John Hodgkiss, courtesy the artist
 
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William Kentridge
History of the Main Complaint (still), 1996

35mm animated film transferred to video, 5:50 min.



Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg; © 2010 William Kentridge; photo: John Hodgkiss, courtesy the artist
 
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William Kentridge
History of the Main Complaint (still), 1996

35mm animated film transferred to video, 5:50 min.



Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg; © 2010 William Kentridge; photo: John Hodgkiss, courtesy the artist
 
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William Kentridge
History of the Main Complaint (still), 1996

35mm animated film transferred to video, 5:50 min.



Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg; © 2010 William Kentridge; photo: John Hodgkiss, courtesy the artist
 
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William Kentridge
Bridge, 2001

Bronze and books



Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg; © 2010 William Kentridge; photo: John Hodgkiss, courtesy the artist
 
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William Kentridge
Portage (detail), 2000

Collage on book pages, eighteen panels



Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg; © 2010 William Kentridge; photo: John Hodgkiss, courtesy the artist
 
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William Kentridge
Act III, Scene 9, from the portfolio of eight etchings "Ubu Tells the Truth", 1996

Hardground, softground, aquatint, drypoint, and engraving, ed. 44/50

Printed by Caversham Press, Natal, South Africa



Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg; © 2010 William Kentridge; photo: John Hodgkiss, courtesy the artist
 
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William Kentridge
Drawing for "II Sole 24 Ore" [World Walking], 2007


Collection of Doris and Donald Fisher © 2008 William Kentridge. Foto: © Marian Goodman Gallery, New York
 
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William Kentridge
Black Box/Chambre Noire, 2005

Model theater with drawings (charcoal, pastel, collage, and colored pencil on paper), mechanical puppets, and 35mm animated film transferred to video, 22 min.



Commissioned by Deutsche Bank AG in consultation with the Solomon R. Guggenheim Foundation for Deutsche Guggenheim, Berlin; © 2010 William Kentridge; photo: John Hodgkiss, courtesy the artist
 
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William Kentridge
Drawing for the opera "The Magic Flute", 2004-5

Charcoal, pastel, and colored pencil on paper



Collection of the artist, courtesy Marian Goodman Gallery, New York; © 2010 William Kentridge; photo: courtesy Marian Goodman Gallery, New York
 
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William Kentridge
"A Lifetime of Enthusiasm" (still), from the installation "I am not me, the horse is not mine", 2008

Eight-channel video projection, DVCAM and HDV transferred to video, 6:01 min.



Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg; © 2010 William Kentridge; photo: John Hodgkiss, courtesy the artist
 
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William Kentridge
"A Lifetime of Enthusiasm" (still), from the installation "I am not me, the horse is not mine", 2008

Eight-channel video projection, DVCAM and HDV transferred to video, 6:01 min.



Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg; © 2010 William Kentridge; photo: John Hodgkiss, courtesy the artist
 
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William Kentridge
"A Lifetime of Enthusiasm" (still), from the installation "I am not me, the horse is not mine", 2008

Eight-channel video projection, DVCAM and HDV transferred to video, 6:01 min.



Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg; © 2010 William Kentridge; photo: John Hodgkiss, courtesy the artist
 
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William Kentridge
"Commissariat for Enlightenment" (still), from the installation "I am not me, the horse is not mine", 2008

Eight-channel video projection, DVCAM and HDV transferred to video, 6:01 min



Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg; © 2010 William Kentridge; photo: John Hodgkiss, courtesy the artist
 
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William Kentridge
"Commissariat for Enlightenment" (still), from the installation "I am not me, the horse is not mine", 2008

Eight-channel video projection, DVCAM and HDV transferred to video, 6:01 min



Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg; © 2010 William Kentridge; photo: John Hodgkiss, courtesy the artist
 
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William Kentridge
"Commissariat for Enlightenment" (still), from the installation "I am not me, the horse is not mine", 2008

Eight-channel video projection, DVCAM and HDV transferred to video, 6:01 min



Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg; © 2010 William Kentridge; photo: John Hodgkiss, courtesy the artist
 
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William Kentridge
"His Majesty, the Nose" (still), from the installation "I am not me, the horse is not mine", 2008

Eight-channel video projection, DVCAM and HDV transferred to video, 6:01 min.



Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg; © 2010 William Kentridge; photo: John Hodgkiss, courtesy the artist
 
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William Kentridge
"His Majesty, the Nose" (still), from the installation "I am not me, the horse is not mine", 2008

Eight-channel video projection, DVCAM and HDV transferred to video, 6:01 min.



Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg; © 2010 William Kentridge; photo: John Hodgkiss, courtesy the artist
 
:
William Kentridge
"His Majesty, the Nose" (still), from the installation "I am not me, the horse is not mine", 2008

Eight-channel video projection, DVCAM and HDV transferred to video, 6:01 min.



Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg; © 2010 William Kentridge; photo: John Hodgkiss, courtesy the artist
 
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William Kentridge
Ohne Titel (Projektzeichnung “Reclining Woman”), 2001

Kohle, Pastell, Acryl



Albertina, Wien © 2010 William Kentridge; Foto: © Albertina, Wien
 
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William Kentridge
Woman with Telephone, 2000

Kohle



Albertina, Wien - Dauerleihgabe der Österreichischen Ludwig-Stiftung für Kunst und Wissenschaft © 2010 William Kentridge; Foto: © Albertina, Wien