MARINA ABRAMOVIĆ

Until 1 March 2026

Black and white portrait of the artist, showing her screaming with her mouth open. Credit: Marina Abramović | Four Crosses, 2019 | Courtesy of the Marina Abramović Archives © Courtesy of the Marina Abramović Archives / Bildrecht, Wien 2025
Marina Abramović | Four Crosses, 2019 | Courtesy of the Marina Abramović Archives | Photo © Courtesy of the Marina Abramović Archives / Bildrecht, Vienna 2025

ALBERTINA MODERN, VIENNA

Marina Abramović (born 1946 in Belgrade) is one of the most eminent contemporary artists. Considered the founder of modern performance art, she has written art history with her legendary appearances. From her beginnings in the Belgrade of the 1970s, she has, over the course of a career spanning more than fifty years, firmly established performance as a genre of visual art. Already in 1978, she had her first appearance in Vienna at the International Performance Festival. The exhibition, curated in cooperation with Kunstforum Wien, will offer a comprehensive overview of the artist’s oeuvre. The exhibition offers several stations where visitors are invited to slip into the role of performers. Performance art has a long tradition in Vienna, with Actionism as its best-known manifestation.

Marina Abramović’s early performance series Rhythm combined concept with physicality, endurance with empathy, complicity with loss of control, passivity with danger. Already it was about time, silence, energy, and the heightened awareness evoked by long-duration performances—themes that run through Abramović’s entire oeuvre. To her, the body was both subject and medium. By exposing herself to pain, total exhaustion, and danger, she kept pushing her physical and psychological limits, always in quest of emotional and spiritual transformation.

    Marina Abramović and Ulay stand opposite each other, mouths pressed tightly together; they share a single breathing cycle.
    Ulay / Marina Abramović | Breathing In, Breathing Out, April 1977 | Courtesy of the Marina Abramović Archives © Ulay/Marina Abramović. Courtesy of the Marina Abramović Archives / Bildrecht, Vienna 2025
    Marina Abramović lies on her back with her head bent back and screams continuously; her body seems tense.
    Marina Abramović | Freeing the Voice, 1975 | Courtesy of the Marina Abramović Archives © Courtesy of the Marina Abramović Archives / Bildrecht, Vienna 2025

    From 1976 to 1988, she performed together with her life partner Ulay (1943–2020). Since then, she has created solo works that involve more interaction with the audience, objects that invite participation, and performances such as The Artist Is Present, in which she gave visitors an opportunity to take turns sitting across from her at a table for one minute of silence each, eight hours a day for almost three months at the New York Museum of Modern Art in 2010. This performance finally made her known to a wide public.

    For the retrospective, the Bank Austria Kunstforum Wien will, in a collaborative exhibition design created with the artist, set up rooms that are each dedicated to a specific theme such as participation, communism, body limits, energy from nature, or enlightenment. Exhibits on display there will include early works created in Belgrade, the first solo performances, her collaboration with Ulay and the legendary joint performances, the participation-inviting Transitory Objects for Human Use, which marked the beginning of her second solo career, the spectacular Balkan Baroqueperformance, for which she received a Golden Lion at the 1997 Venice Biennale, as well as more recent video and sculptural works. In addition, her installation Four Crosses (2019) will be shown.

    The exhibition is a cooperation between the Royal Academy of Arts, London, Stedelijk Museum Amsterdam, Kunsthaus Zürich, Bank Austria Kunstforum Wien, and the Albertina Museum, Vienna. It is created in close collaboration with the artist.

    The ALBERTINA MODERN, in cooperation with the Bank Austria Kunstforum Wien, is presenting the first major retrospective of Marina Abramović in Austria. The exhibition is organized by the Bank Austria Kunstforum Wien and the Royal Academy of Arts, London, in cooperation with the ALBERTINA Museum, Vienna.

    The exhibition will be on display at the ALBERTINA MODERN from 10 October 2025 to 1 March 2026.

      REGULAR OPENING HOURS
      Daily | 10 a.m. to 6 p.m.
      Last admission | 5 p.m.

      Admission | 17.90 EUR

      EXHIBITION PROGRAM
      Exclusive special opening
      Saturday to Tuesday | 6 p.m. to 9 p.m.
      October & November
      25 EUR | person

      Discover the exhibition outside the regular opening hours with guaranteed admission and no long waiting time during your chosen time slot.
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      Public guided tours (in German) | SOLD OUT
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        Black and white photograph of the artist sitting on a white horse and holding a large white flag.
        Marina Abramović | The Hero, 2001 | Courtesy of the Marina Abramović Archives, and Galeria Luciana Brito © Courtesy of the Marina Abramovic Archives / Bildrecht, Vienna 2025

        Perfomance Artists:

        Alexandra Cassirer
        Denisa Musilova
        Gabriel Jose Zuñiga Avila
        Grischka Voss
        Hayun Kim
        Jolyane Langlois
        Katharina Senk
        Lukas Hanus
        Miquel Amengual Gual
        Simone Lorenzo Benini
        Steffi Wieser
        Vittorio Porcelli

        Curator of the Exhibition:

        Bettina M. Busse, MA

          Marina Abramović: Balkan Baroque, June 1997

          Marina Abramović | Balkan Baroque, June 1997 | Courtesy of the Marina Abramović Archives, and Lisson Gallery | © Courtesy of the Marina Abramović Archives / Bildrecht, Vienna 2025

          Marina Abramović: The Hero, 2001

          Marina Abramović | The Hero, 2001 | Courtesy of the Marina Abramović Archives, and Galeria Luciana Brito | © Courtesy of the Marina Abramović Archives / Bildrecht, Vienna 2025

          Marina Abramović: Four Crosses, 2019

          Marina Abramović | Four Crosses, 2019 | Courtesy of the Marina Abramović Archives | © Courtesy of the Marina Abramović Archives / Bildrecht, Vienna 2025

          Marina Abramović: Freeing the Voice, 1975

          Marina Abramović | Freeing the Voice, 1975 | Courtesy of the Marina Abramović Archives | © Courtesy of the Marina Abramović Archives / Bildrecht, Vienna 2025

          Marina Abramović: Lips of Thomas, 1975

          Marina Abramović | Lips of Thomas, 1975 | Courtesy of the Marina Abramović Archives | © Courtesy of the Marina Abramović Archives / Bildrecht, Vienna 2025

          Ulay / Marina Abramović: Breathing In, Breathing Out, April 1977

          Ulay / Marina Abramović | Breathing In, Breathing Out, April 1977 | Courtesy of the Marina Abramović Archives | © Ulay/Marina Abramović. Courtesy of the Marina Abramović Archives / Bildrecht, Vienna 2025

          Ulay / Marina Abramović: Imponderabilia, 1977

          Ulay / Marina Abramović | Imponderabilia, 1977 | Courtesy of the Marina Abramović Archives | © Ulay/Marina Abramović. Courtesy of the Marina Abramović Archives / Bildrecht, Vienna 2025; Photo: Giovanna dal Magro

          Marina Abramović: Inner Sky, 1991/2015

          Marina Abramović | Inner Sky, 1991/2015 | Courtesy of the Marina Abramović Archives | © Courtesy of the Marina Abramović Archives / Bildrecht, Vienna 2025; Photo: Heini Schneebeli, 1994

          Marina Abramović: Sleeping Under the Banyan Tree, 2010

          Marina Abramović | Sleeping Under the Banyan Tree, 2010 | Courtesy of the Marina Abramović Archives, and Sean Kelly Gallery, New York | © Courtesy of the Marina Abramović Archives / Bildrecht, Vienna 2025

          Marina Abramović: Artist Portrait with a Candle (A), 2012

          Marina Abramović | Artist Portrait with a Candle (A), 2012 | Courtesy of the Marina Abramović Archives, and Galerie Krinzinger | © Courtesy of the Marina Abramović Archives / Bildrecht, Vienna 2025

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